Thinkbelt

Interstitial EP021

Black in Place
by Brandi Thompson Summers

Washington D.C.’s H Street corridor, a majority-Black neighborhood shaped by segregation and disinvestment, is now marketed as welcoming and diverse. Analyzing the role of blackness in contemporary urbanization, Brandi Thompson Summers explains why aesthetics is essential to thinking about gentrification and displacement.

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TITLE
Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City
AUTHOR
Brandi Thompson Summers
PUBLISHER
The University of North Carolina Press
PAGES
256
PUBLICATION DATE
November 2019

Brandi Thompson Summers is Assistant Professor of Geography and Global Metropolitan Studies at the University of California, Berkeley. She is the author of Black in Place: The Spatial Aesthetics of Race in a Post-Chocolate City (UNC Press, 2019), which explores how aesthetics and race converge to locate or map blackness in Washington, D.C. Her research engages theoretical themes that cut across multiple domains of social life as she derives insights from cultural and urban geography, urban sociology, African American studies, and media studies by examining the cultural, political, and economic dynamics by which race and space are reimagined and reordered. Summers is an advisor for the Berkeley Black Geographies Project (theblackgeographic), a collaborative research and teaching platform that uses blackness as a framework to advance contemporary understandings of geography. She has published several articles and essays that analyze the relationship between race, power, aesthetics, and urbanization that appear in both scholarly and popular publications, including the International Journal of Urban and Regional Research (IJURR), ASAP/Journal, QED, Public Books, and The Funambulist.

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Culture Works: Space, Value, and Mobility across the Neoliberal Americas

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Naked City: The Death and Life of Authentic Urban Places

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There are plenty of books on gentrification out there, but I love the way Zukin describes how and why cities change. Her emphasis on and deconstruction of “authenticity” help us think more about the role of consumptive practices and the commodification of diversity.